Фотосессия на парящем стуле у бетонной стены

Create a photorealistic editorial image in the tradition of surrealist fine art photography, never an illustration or CGI. Frame a single character centrally in a full-body composition, with the entire floating chair and the empty space below it clearly included. Photograph perfectly straight on, without any camera tilt. Shot on 35mm. Use the provided character reference image to retain the character's exact outfit, skin tone and proportions precisely. Seat the character casually on a simple old wooden chair suspended 3 to 4 feet above level concrete pavement. Both the feet and every chair leg must be completely clear of the ground, leaving an unmistakable visible air gap underneath. There is no support below the chair: it simply exists in mid-air. Keep the body entirely relaxed, as though seated normally: one arm rests on the chair armrest, the other hand lies loosely on the lap, and the uncrossed legs sit naturally. The posture is calm despite the levitation. Show the chair as worn and slightly aged, with chipped paint and visible wood grain. Fill the whole background with a large, flat brutalist wall of raw concrete, revealing rough aggregate texture and faint vertical weathering stains. Include the flat concrete pavement along the bottom of the frame so the air gap remains visible. Illuminate everything with quiet, completely even, soft overcast natural daylight, without harsh shadows. Use a muted, desaturated palette dominated by raw grey concrete; the worn chair wood is the only warm accent. Maintain photographic realism throughout.